Scott Wellsandt Messy Palette
“The Lapis is so pretty! I swear it's like an opaque ink blue. A deep purple blue. It's not as blue as the effetre Lapis which is more cobalty.” ~ Kevan Aponte
“Lapis is a very dark purple blue. There really isn't much comparison in the Moretti palette.” ~ Genea Crivello-Knable
“I really love this deep dark purple. If I could make an opaque version of dark ink blue it would look just like this! There hasn’t been any opaque purple this dark, so it’s a great addition to my palette.” ~ Gail Witt
“It's unique and I love it. More purpley (grape purple!!) than blue, I think, when worked, but just amazing.” ~ Evil Glass
“It fills an open slot in my palette." ~ Terri Budrow-Nelson
“When I think of the color Lapis, I think blue. This color was more in the purple range to me. I could not find a Moretti glass (in my glass stock) that came close to the color.” ~ Jan Whitesel-Keeton
“It can get really dark – almost black after working it for awhile.” ~ Chris Molter
"It’s quite dark, which presents a design challenge for me. I find the darker colors harder to work with. This is a glass I would use as frit, more than rod." ~ Terri Budrow-Nelson
“It is not so dark that it looks black, but is a really dark purple." ~ Gail Witt
"I would compare Messy Lapis to Moretti’s hand pulled dark silver plum. It reacts much the same way as the dark silver plum in reduction but is more blue, and is not overpowered by the ‘reduced silver surface' that the silver plum gets in reduction. Though I love dark silver plum, I am sometimes disappointed that the reduction overpowers the color so heavily. I love Lapis’ ability to get the silvered reduction surface while still retaining its rich blue/indigo color!" ~ Bonnie Polinski
“I tried reducing it – I found no difference." ~ Chris Molter
"I did reduce the glass on a small bead, but didn’t see a lot of change." ~ Gail Witt
"If worked long, or reduced, a silver sheen comes out." ~ Elasia