Messy Color™ Clockwork

511229 -

Clockwork (511229)<br />A vibrant and saturated striking orange that ranges from transparent to translucent to opaque, depending on your working style and atmosphere.

A vibrant and saturated striking orange that ranges from transparent to translucent to opaque, depending on your working style and atmosphere.




"This glass strikes very slowly - so you can do a nice controlled strike to get just the degree of orange you want - see bead on far right." Read more at DragonJools blog. – Dwyn Tomlinson

Click here for other interesting Clockwork discoveries.

 
Messy Clockwork with stringer made of effetre ivory, coral, topaz, & silver
Chris Molter
Messy Clockwork & Gelly's Sty
Tina Lamasney
Messy Clockwork, Sangre, & Canyon de Chelly
Elizabeth Long
Messy Clockwork, Sangre, & Elphaba
Terri Budrow-Nelson
Messy Clockwork
Vonna Maslanka
Messy Clockwork & Sangre
Evil Glass
Messy Clockwork & Zues
Pat O'Brien
Messy Clockwork with silvered ivory stringer
Leslie Anne Bitgood
Messy Clockwork, Lauscha odd Strawberry & Pineapple sparkle
Genea Crivello-Knable

Messy Tester's Feedback

  • Most testers found Clockwork easy to work with and easy to strike.
"I love this color. It's super easy to work, strike, and doesn't burn out. I was able to make it translucent, but not transparent." – Evil Glass
"A translucent, almost opaque orange when worked "normal," shown in 2 beads on the right. I found when I tried to boil it, it wouldn't, it went to clear...let it cool a bit and strike and you get hues of light orange all the way back to translucent." – Elasia
"Clockwork is easy to strike. A true clear, transparent orange. I could throw away the other 2 or 3 rods of transparent oranges and replace them with Clockwork in a heartbeat. I got transparency…crystal clear orange which is what I was hoping for. I either didn’t get to translucent or past it." – Sue Stewart
“I never got Clockwork to strike to translucency, only semi-transparency." – Teri Wathan
“I had a hard time getting Clockwork to strike consistently. Sometimes I couldn’t get the orange to come up and it would remain transparent, but that was only about 15% of the time. I especially had trouble with striking after pressing." – Terri Budrow-Nelson
“It was a little difficult to strike when working a small spacer after I had heated it to the point of losing its color. But once it started to strike, it happened very quickly. I work mainly with large focals and bringing out the translucency in them was very easy." – Chris Molter
“It took me awhile to get the hang of striking Clockwork as it seemed to strike differently than other striking glass. I found that I would think it wasn’t going to strike and put it in the blanket to move on and when it had cooled, it was a wonderful orange." – Jan Whitesel-Keeton
“Clockwork seems to stay more transparent if not over heated in intense heat while working. Shorter bursts of heating and allowing the bead to cool seem to keep it more transparent. If the color was lost, you can easily bring it back by letting the bead cool and then gently flashing it in and out of the flame until you see the color turn back to orange." – Genea Crivello-Knable
"I found that it stayed clear and not translucent. It is easy to strike, except for very thin applications." – Leslie Anne Bitgood
“I wasn’t quite able to strike it as transparent as I wanted, but I was pleased with the result nonetheless. On each of my beads the Clockwork was evenly translucent with no variation of color saturation. I noticed on several of Vonna’s beads that she was able to achieve a wide range of color from yellow-orange to bright orange, and from transparent to opaque to opacify, she flashed her bead in and out of a reduction flame." – Bonnie Polinski
  • Clockwork is stiffer or more "crisp" than other 104 transparent oranges.
"I love it. It is more crisp and doesn’t spread out in organics like Moretti’s transparent orange." – Chris Molter
"Clockwork is a beautiful orange that stays crisp and clean in twisties. As with all the CiM colors, I love the slightly stiffer consistency." – Leslie Anne Bitgood
  • Special thanks to Elasia, Sue Stewart, Teri Wathan, Genea Crivello-Knable, Jan Whitesel-Keeton, Leslie Anne Bitgood, & Maija-Leena Autio for providing the photos in this section.

Check out how Darlene Collette made dot beads with Effetre white on top of Clockwork.
Darlene Collette used Sangre & Clockwork with 99% fine silver.  
See Whitney Lassini's Calla lilies made with Clockwork.
Elasia blogged her experience striking Clockwork from transparent to almost opaque.
Check out Lucinda Storms' bead made with Clockwork and Pandora.
Visit the Fritipedia Wiki CiM Page for more information about Clockwork.
See Kay Powell’s Clockwork frit testing samples.
Browse Serena Thomas’ color gallery.
Check out Miriam Steger’s CiM color charts.


"This glass strikes very slowly - so you can do a nice controlled strike to get just the degree of orange you want - see bead on far right." Read more at DragonJools blog.
Dwyn Tomlinson
Many testers reported that Clockwork works particularly well with silver glasses.
Teri Wathan
"This bead features Clockwork and Cranberry Pink. If you take a close look you will notice that there is absolutely NO BROWN! If you try to mix orange and pink in other glass they will produce a nasty brown outline, but this combination doesn't." Read more at Genea's blog.
Genea Crivello-Knable
"Messy Clockwork over Messy Pink Champagne is a gorgeous pomegranate color!"
Teri Wathan