Messy Color™ Frozen Ltd Run

511814 - Sold Out

Frozen Ltd Run (511814)<br />An opal white.

An opal white.


"I found that Frozen kiln strikes a bit to something more opaque. I made the Barrier Reef dot and wrap beads first then got called out of the studio for over an hour and left them to keep warm in the kiln. Those first two pairs are markedly more opaque looking than the others." Read more at Kitzbitz Art Glass' blog. – Jolene Wolfe

Click here for other interesting Frozen Ltd Run discoveries.
 
Various transparents over Cottontail and Frozen
Sarah Hornik
"The tri-colored beads are made from Frozen, Blue Arrow Frog and Bing. The other beads are my 'caterpillar critter beads' created by mixing Frozen, Poison Apple and Orange Crush with dots of Blue Arrow Frog."
Darlene Collette
Frozen with Effetre transparent pale amber (etched) and Effetre ivory 264
Laura Sparling
Frozen
Gloria Sevey
Messy Frozen
Amy Hall
Frozen
Heather Sellers

CiM Tester Feedback

  • Special thanks to Amy Hall, Heather Sellers, & Caroline Davis for providing the photos in this section.

Join Trudi Doherty's FB group Lampwork Colour Resource Sharing Information for a catalogue of color study.
Claudia Eidenbenz’s "Vetrothek" (glass library) is a great resource for color comparisons.
See Kay Powell’s frit testing samples.
Browse Serena Thomas’ color gallery.
Check out Miriam Steger’s CiM color charts.
Consult Jolene Wolfe's glass testing resource page.

A comparison of opalescent whites.
– Heather Johnson
"Here is a Frozen bead with dots of Aurae Light. Frozen is an opal white that when silver glass is applied turns the surface a pretty golden tint that compliments the silver glass droplets." Read more at Darlene's blog.
– Darlene Collette
"As you can see, Frozen did not fume at all." Read more at Caroline Davis' blog.
– Caroline Davis
"I found that Frozen kiln strikes a bit to something more opaque. I made the Barrier Reef dot and wrap beads first then got called out of the studio for over an hour and left them to keep warm in the kiln. Those first two pairs are markedly more opaque looking than the others." Read more at Kitzbitz Art Glass' blog.
– Jolene Wolfe
"So, why work with a translucent white at all, you might be saying? Well, the translucent whites are stiffer than the fully opaque whites, which means that if you are doing something sculptural and it needs to hold it's shape instead of softening into a flat, gooey puddle, choose one of the translucent whites - Anice, Frozen, ... and Lauscha has a stiff white that strikes in the kiln." Read more at DragonJools blog.
– Dwyn Tomlinson
“Frozen [at the front] is more translucent and has a slightly blue tint when compared to Marshmallow [at the back].” Read more at Kitzbitz Art Glass’ blog.
– Jolene Wolfe